I was born in 1939 in Yorkshire, went to a Quaker school
and after ‘national service’ in the RAF (with 617
Squadron in Lincolnshire!) attended the Guildhall
School of Music in London. I was principally a
composition student with two impressive tutors -
Edmund Rubbra, one of the great English symphonists,
and Raymond Jones, a leading arranger of London’s
commercial music world in the 1960s. I played the
violin and viola in the orchestras and was also a
conducting student with Lawrence Leonard and Norman
del Mar. In 1964 I was awarded the coveted
Mendelssohn Scholarship which financed studies abroad.
I lived in Venice for a year, studying with the Italian
master Malipiero and then to Witold Lutosławski in
Poland. After gaining a Masters degree at London
University, I became involved in commercial music
recording, writing and arranging for films,
television and West End shows. I created an album
for a jazz group called Continuum, and was for a time
a 'ghost writer' for Rod McKuen's classical American
recordings.
During the 1970s I succeeded in establishing myself
as a serious concert composer – a difficult task
driven in no small way by having the responsibility
of a wife and three small children. A series of
substantial compositions gained notable international
awards, including two of the five symphonies I have
produced so far, and a huge Easter oratorio, Christus
Requiem, which received wide critical acclaim after its
premier performance in St. Paul's cathedral and was
awarded the Yugoslavian Government's 'Arts Solidarity
Award' after its performance in Skopje – an event now
sadly overshadowed by events in that part of the world.
I travelled a lot, being a regular member of international juries for choral festivals in Hungary annually over ten years, and in France, Estonia and Latin America.
I was always involved in teaching. I joined the staff of
the London's Guildhall in 1967 and remained there until
1980, when I was appointed Head of Music to Leeds
University’s Bretton Hall college in Yorkshire. Serving
a variety of organisations over the years has also been
a delight - chairman of the Composers' Guild of Great
Britain (1977-1980), chairman of the British Music
Information Centre (1980-1993) and currently chairman
of the Hinrichsen Foundation. There are a couple of
CDs that have included my lighter compositions: the
Ballet Suite Celestial Fire on ASV (Light Music
Discoveries 3) and A Christmas Carol Symphony on
Naxos 8.557099.
Full details of my work are on
the website: www.impulse-music.co.uk/standford.htm